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Date: Tuesday, 24 Oct 2006 17:58

Do ghosts ever get married? Think about that for a moment.
Author: "--"
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Date: Tuesday, 24 Oct 2006 17:58

Elizabeth moved into the tiny cottage next door to an abandoned lighthouse on the New England coast to paint seascapes for a travel agency. She did not know ghosts from the past haunted the lighthouse and she did not believe in the paranormal. There is evil lurking inside the dungeon-like walls of the lighthouse. Some of the slaves that helped to build the lighthouse in the early 1800s murdered their taskmaster here because of his cruel and inhumane treatment towards them. One of the slaves was a witch doctor and cast a spell on the evil taskmaster confining him to the lighthouse forever. When someone mysteriously alters the spell placed on the taskmaster he escapes the confines of the lighthouse. No one in this small fishing village is safe anymore. This novel is definitely a nail biter. http://lulu.com/usendme Posted by Picasa
Author: "--"
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Date: Tuesday, 24 Oct 2006 17:58
Each of my books deals with the paranormal. Choose the one that fits you the best. http://tiptopwebsite.com/usendme
Author: "--"
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Date: Sunday, 22 Oct 2006 20:20

The anthologies in The Best American Mystery Stories series rarely showcase "conventional," plot-driven mysteries, of whatever variety; instead, as guest editor Scott Turow notes, the spotlight falls on "crime--its commission, its aftermath, its anxieties, its effect on character" (xiv).  One does not, in other words, pick up a book in this series and expect to find the Old Man in the Corner.   

As it happens, this volume's weakest stories are the ones that depend on plot twists.  (For some reason, they're also slotted right next to each other.)  Jeffery Deaver's "Born Bad," about the mother-and-daughter relationship from hell, clunks mechanically through its big reveal; the story could have used more nuance in both the psychological and stylistic departments.  Jane Haddam's "Edelweiss" and William Harrison's "Texas Heat," meanwhile, build up to "shocking" discoveries that register with all the force of popped balloons.  By contrast, the late Ed McBain's "Improvisation," while perhaps not one of the author's best efforts, nevertheless manages to turn the tables on its sexual adventurer with more flair--something it manages through the adroit use of rat-a-tat dialogue, much of it without tags.  Sue Pike elicits a chuckle or two with "A Temporary Crown," in which the celebrity-obsessed (and mentally ill) protagonist comes to Las Vegas in search of her beloved actor.  And Laura Lippman's "The Crack Cocaine Diet (Or: How to Lose a Lot of Weight and Change Your Life in Just One Weekend)" cleverly imagines two upper-middle-class adolescent girls straight out of a family values politician's worst nightmare.

There are, as usual, a number of gangsters on the loose.  While most readers will anticipate the punchline in Mike MacLean's "McHenry's Gift," the story is still a darkly amusing take on the emotional self-delusions of a low-level crook in a murderous business.  Wendy Hornsby's "Dust Up," which reads like a trailer for a comic thriller, is entertaining enough as a parodic trifle; its heroine is a comic cross between animal-loving softy and ramped-up military veteran.   Two more stories take on the heyday of gangsters as celebrity cult figures.  Elmore Leonard's "Louly and Pretty Boy" narrates a young woman's enduring obsession with her relative-by-ex-marriage, Pretty Boy Floyd.  James Lee Burke offers a more subtle take on this theme in "Why Bugsy Siegel was a Friend of Mine," in which the gangster--an odd cross between thug and yoyo-loving perpetual child--brings vigilante justice into a young boy's life; while not altogether nostalgic, the story nevertheless mourns the loss of a certain kind of American neighborhood (one already vanishing over the course of the plot).

A number of stories really amount to character studies.  The least successful is Joyce Carol Oates' "So Help Me God," in which Oates recycles much of her quasi-Gothic, class-difference-plus-sexual-brutality shtick.  It isn't bad, but it is wearisomely familiar.   (I'm not one to suggest that an author should slow down her output, but Oates has worked this vein well beyond its capacity to yield much in the way of ore.)  Andrew Klavan does rather better with modern sexual politics in "Lord and Master," in which sadomasochism becomes the backdrop to a deadly battle of the sexes.  Other tales of crooks in crisis connect crime to consciousness.  In "Theft," Karen E. Bender suggestively connects an aging confidence-trickster's games with identity to her Alzheimer's-induced loss of self; the counterfeiter in Jeff Raven's "Ringing the Changes," who bears considerably less symbolic weight, nevertheless suggests that modern America partly functions on sheer illusion.  Scott Wolven's "Vigilance," about a man on the run from...something...who finds himself in the middle of something else, lets before-and-after remain vague.  Like Bender and Raven, Wolven populates his underworld with professional shapeshifters, capable of shedding their "selves" at a moment's notice.  In a more darkly humorous vein, C. J. Box's "Pirates of Yellowstone," featuring some Eastern European immigrants out to make good (and money), offers an ironic twist on the American dream.  Emily Raboteau's bleaker and unclassifiable "Smile" drops us into the aftermath of a murder in Louisiana; the motives remain eerily unclear.  And Walter Mosley's "Karma" stars a down-and-out private detective whose desire to survive thoroughly trumps his interest in the law.

The anthology's standout entries, however, are Alan Heathcock's "Peacekeeper" and R. T. Smith's "Ina Grove."  "Peacekeeper" tracks Helen, its unlikely lawwoman, through a nonlinear narrative that travels back and forth between December 1992 and Spring 1993.  Instead of exposing the solution to the death of a young girl, Helen conceals the girl's body and stages the murderer's "suicide"; the result, she hopes, will be closure for all concerned.  "They would all believe Jocey had drowned," Helen thinks, "and it would be over" (108).  But the story itself takes "closure" apart: can this case be closed, the community healed? What happens if closure is infinitely delayed? It's not clear that spring, the traditional sign of hope and rebirth, will rejuvenate anyone concerned.  "Ina Grove," another tale of justice possibly gone awry, begins in 1904 and ends in the late 1960s.  The story is relayed through a number of different (and sometimes near-poetic) voices and registers, including newspaper reports, a sheriff's diary, the pre-execution testimony of the accused rapist/murderer (?), the rape victim (?), and the deceased's ghost.  If the narrative's structure reminds you of Rashomon, it's supposed to; according to Smith, the title itself is taken from one of the stories that inspired the Kurosawa film (354).  But unlike Rashomon, the characters "testify" over the course of six decades, adding an additional layer to the conflict among various subjective truths: the story itself slowly degrades into folk legend.  By the end, as creeping urbanization overtakes the Appalachian locale, the rape of Ina Grove is as ghostly as the culture that once gave rise to it. 

Author: "--"
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Date: Saturday, 21 Oct 2006 16:53

Snor ett litet frågeformulär från snyggaste Erika

1. Tre namn jag lyssnar till: sanna / baby / beb
2. Någonting jag tycker om med mig själv: i’m fabolus!
3. Någonting jag inte tycker om med mig själv: lättirriterad!
4. Detta är jag rädd för: läskiga sjukdomar / att folk jag älskar mår dåligt
5. Tre saker jag vill ha varje dag: kramar / lugn och ro / bra musik

6. Tre saker jag absolut inte kan göra: vara ekonomisk / gå förbi second hand-affärer utan att gå in / äta banan
7. Detta tycker jag om att göra: dansa / umgås / dricka vin & drinkar / dricka kaffe i fönstret
8. Detta vill jag göra just nu: dricka kaffe i fönstret.
9. Bästa känslan: det finns så många bra.
10. Värsta känslan: när saker man älskar tar slut.

11. Följande egenskaper ser jag gärna att min partner har: humor, omtänksam, brains, söthet
12. Är jag kär just nu? absolut
13. Jag vill gifta mig: ganska traditionellt
14. Följande tre saker vill jag göra innan jag dör: shoppa för en hutlös summa pengar.
15. Min käraste ägodel: min katt!

16. Något jag vill ha i present: presentkort på ikea.
17. Detta har jag på mig just nu: myskläder/morgonkläder: mörkblå adidasbyxor, röd suntrip-tröja och underkläder.
18. Favoritkläder: kjolar!
19. Favoritdjur: missar!
20. Följande musikstilar tilltalar mig mest: pop, gubbrock, electronica and so on.

21. Fyra av mina favoritlåtar för tillfället: camera obscura – hey lloyd i’m ready to be heartbroken / ryan adams – la cienga just smiled / bruce springsteen – thunder road / the magnetic fields – the night you can’t remember
22. Skola – Jobb: skola skola skola
23. Stjärntecken: lejon
24. En bok jag gillar: joyce carol oates – blonde
25. En film jag gillar: lost in translation

26. TV-program jag gillar: friends / sex and the city / how i met your mother
27. Favoritdoft: nybakta bullar i mammas kök
28. Detta äter jag gärna: grekiskt

*29 (1). Dricker helst: pepsi max / bubbelvatten
29. (2) Dricker helst (alkohol): rödvin / cider
30. Favoritgodis: hårt och salt!

31. Hit vill jag gärna åka på semester: NY / kreta
32. Färgen på mina ögon: blågröna
33. Min längd: 162
34. Jag tror på:—-
35. Jag spelar: läpp

36. Person(er) jag beundrar: så många! papi.
37. Så här bor jag:
just nu: 25 kvm med knappt något kök.
snart: 80 kvm med stort kök, balkong och badkar!
38. Antal döda krukväxter i hemmet: två levande!
39. Det här tänder mig: så varierande.
40. Det här gör mig avtänd: otrevliga dofter och människor.

41. Favoritfärg: svart, grått, rött
42. Favoritcitat: det finns så många. jag kan inte välja!

43. En hemlighet jag vet: ?
44. Den bästa present jag fått: den jag åker till imorgon. resa, helpension och konsertbiljett.
45. Senast köpta skiva: he. det minns jag inte ens.

46. Udda förmåga/egenskap: jag är grym på att referera vännercitat till allt som händer!
47. Om jag vore ett djur skulle jag vara: tissemiss!

Author: "--"
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Date: Saturday, 21 Oct 2006 14:14

This year is marking a number of milestones in my life. No, I’m not 50 yet (give me three more years.) But I recently went back to New York to observe the 20th reunion of my journalism school class. Today, I’m heading south to Stanford to celebrate my 25th college reunion.

Yikes! I can’t believe that life has passed by so fast. How can it be that I left college so long ago? How can it be that it feels like just yesterday I started school AND so many decades ago? I think this is what life is like – time flashes and stands still at the same time and you end up 90 (if you’re lucky) feeling inside much like you did at 16.

The reunion has made me reflect on what I learned at college. Two course stand out – one on James Joyce and the other on Virginia Woolf. I was a history major, not an English major, but my love of reading led me to many classes on literature.

I took the Joyce class in my sophomore year with my roommate. The professor was James Chace and my TA was Carol Lashof. (In one of life’s coincidences, she is the now the mother of one of the girls on my daughter’s soccer team.) We started by reading Portrait of An Artist as a Young Man, then moved to Ulysses and then we read a few chapters of Finnegan’s Wake. We also read Richard Ullman’s superb biography of Joyce and a reference book that dissected and analyzed virtually ever sentence in Ulysses. People who study Joyce look for the autobiographical clues in every scene he wrote.

I adored this class for thrusting me into the world of early 20th century Dublin. Even though it took hours to read Ulysses – remember one could dissect virtually every sentence – I loved how the class forced me to focus, to look closely at Joyce’s words and what they revealed about a Europe in transition. I was an ardent feminist at the time and I delighted to finding misogynistic messages through out the book. (Joyce wasn’t very kind to Molly, the wife of the main character, Stephen Bloom.)

The Virginia Woolf class, in contrast, was a survey course on everything Woolf. We plowed through her books – A Room of One’s Own, To the Lighthouse, Mrs. Dalloway – and also read portraits of the Bloomsbury crowd. While I loved Woolf’s writing, I remember being more taken with all the intrigue of Woolf’s social set – the clandestine lesbian and gay relationships, Vita Sackville-West’s magnificent garden, Woolf’s suicide and the role her husband Leonard played in her unhappiness. I drew more from her life than her words.

I don’t think I have ever taken the time since college to completely immerse myself in one author. Like most people, I have no grand plan to my reading. I pick up whatever looks interesting, averaging about 40 books a year. There is no overall design, no desire to closely study anything.

As a result, while I have read many good books, they all sort of fade away after a while. When someone asks me if I have read anything good recently, I usually answer in the affirmative and then wrack my brain to remember which book and what it was called. But just describing the Joyce and Woolf classes, I had absolutely no trouble recalling which books I read.

Maybe I should take something else away from my college reunion in addition to the joy at seeing old friends. Maybe I should set up a mini-course for myself and take the time to read two or three books by an author instead of just one. That might make me see an author in a different light – and give me the chance in future decades to remember which books I read.

Let’s see, who should I study? Joyce Carol Oates? Orhan Pamuk, who just won the Nobel Prize for literature? Margaret Atwood? Agatha Christie?

How about doing Joyce over again? Certainly, I can find more in every one of his sentences. And there’s always Finnegan’s Wake.

Author: "--"
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Date: Saturday, 21 Oct 2006 13:42

Evidently there is a book out called 1001 books you must read before you die. I found out about it from Jessa over at Bookslut, and had to check it out. I'm fairly interested in ideas of canonicity and what constitutes a 'classic'. So, knowing that I would be lucky to have read more than 5 of these books, I went through the list to find out.

Lessons learned:

Authors that I have heard a lot about (from my more literary minded friends) were well-represented

Paul : Don DeLillo
Libby : Barbara Kingsolver, Haruki Murakami and Ishiguro
Spike : TC Boyle
Ayesha : Toni Morrison

Some books that I own -- don't ask me to put my hands on them -- but haven't read

# The God of Small Things – Arundhati Roy
# A Prayer for Owen Meany – John Irving
# Dirk Gently’s Holistic Detective Agency – Douglas Adams
# The Sea of Fertility – Yukio Mishima (In Japanese)
# One Hundred Years of Solitude - Gabriel García Márquez
# To Kill a Mockingbird – Harper Lee

My final total was 30. I guess I need to read about 30 a year to come close to finishing. Too bad the Xanth series wasn't represented. I've got some scrapping to do to catch up with Jessa.

One more thing. How could The Tale of Genji not make the list?

# Never Let Me Go – Kazuo Ishiguro
# Saturday – Ian McEwan
# On Beauty – Zadie Smith
# Slow Man – J.M. Coetzee
# Adjunct: An Undigest – Peter Manson
# The Sea – John Banville
# The Red Queen – Margaret Drabble
# The Plot Against America – Philip Roth
# The Master – Colm Tóibín
# Vanishing Point – David Markson
# The Lambs of London – Peter Ackroyd
# Dining on Stones – Iain Sinclair
# Cloud Atlas – David Mitchell
# Drop City – T. Coraghessan Boyle
# The Colour – Rose Tremain
# Thursbitch – Alan Garner
# The Light of Day – Graham Swift
# What I Loved – Siri Hustvedt
# The Curious Incident of the Dog in the Night-Time – Mark Haddon
# Islands – Dan Sleigh
# Elizabeth Costello – J.M. Coetzee
# London Orbital – Iain Sinclair
# Family Matters – Rohinton Mistry
# Fingersmith – Sarah Waters
# The Double – José Saramago
# Everything is Illuminated – Jonathan Safran Foer
# Unless – Carol Shields
# Kafka on the Shore – Haruki Murakami
# The Story of Lucy Gault – William Trevor
# That They May Face the Rising Sun – John McGahern
# In the Forest – Edna O’Brien
# Shroud – John Banville
# Middlesex – Jeffrey Eugenides
# Youth – J.M. Coetzee
# Dead Air – Iain Banks
# Nowhere Man – Aleksandar Hemon
# The Book of Illusions – Paul Auster
# Gabriel’s Gift – Hanif Kureishi
# Austerlitz – W.G. Sebald
# Platform – Michael Houellebecq
# Schooling – Heather McGowan
# Atonement – Ian McEwan
# The Corrections – Jonathan Franzen
# Don’t Move – Margaret Mazzantini
# The Body Artist – Don DeLillo
# Fury – Salman Rushdie
# At Swim, Two Boys – Jamie O’Neill
# Choke – Chuck Palahniuk
# Life of Pi – Yann Martel
# The Feast of the Goat – Mario Vargos Llosa
# An Obedient Father – Akhil Sharma
# The Devil and Miss Prym – Paulo Coelho
# Spring Flowers, Spring Frost – Ismail Kadare
# White Teeth – Zadie Smith
# The Heart of Redness – Zakes Mda
# Under the Skin – Michel Faber
# Ignorance – Milan Kundera
# Nineteen Seventy Seven – David Peace
# Celestial Harmonies – Péter Esterházy
# City of God – E.L. Doctorow
# How the Dead Live – Will Self
# The Human Stain – Philip Roth
# The Blind Assassin – Margaret Atwood
# After the Quake – Haruki Murakami
# Small Remedies – Shashi Deshpande
# Super-Cannes – J.G. Ballard
# House of Leaves – Mark Z. Danielewski
# Blonde – Joyce Carol Oates
# Pastoralia – George Saunders
#
# 1900s
# Timbuktu – Paul Auster
# The Romantics – Pankaj Mishra
# Cryptonomicon – Neal Stephenson
# As If I Am Not There – Slavenka Drakuli?
# Everything You Need – A.L. Kennedy
# Fear and Trembling – Amélie Nothomb
# The Ground Beneath Her Feet – Salman Rushdie
# Disgrace – J.M. Coetzee
# Sputnik Sweetheart – Haruki Murakami
# Elementary Particles – Michel Houellebecq
# Intimacy – Hanif Kureishi
# Amsterdam – Ian McEwan
# Cloudsplitter – Russell Banks
# All Souls Day – Cees Nooteboom
# The Talk of the Town – Ardal O’Hanlon
# Tipping the Velvet – Sarah Waters
# The Poisonwood Bible – Barbara Kingsolver
# Glamorama – Bret Easton Ellis
# Another World – Pat Barker
# The Hours – Michael Cunningham
# Veronika Decides to Die – Paulo Coelho
# Mason & Dixon – Thomas Pynchon
# The God of Small Things – Arundhati Roy
# Memoirs of a Geisha – Arthur Golden
# Great Apes – Will Self
# Enduring Love – Ian McEwan
# Underworld – Don DeLillo
# Jack Maggs – Peter Carey
# The Life of Insects – Victor Pelevin
# American Pastoral – Philip Roth
# The Untouchable – John Banville
# Silk – Alessandro Baricco
# Cocaine Nights – J.G. Ballard
# Hallucinating Foucault – Patricia Duncker
# Fugitive Pieces – Anne Michaels
# The Ghost Road – Pat Barker
# Forever a Stranger – Hella Haasse
# Infinite Jest – David Foster Wallace
# The Clay Machine-Gun – Victor Pelevin
# Alias Grace – Margaret Atwood
# The Unconsoled – Kazuo Ishiguro
# Morvern Callar – Alan Warner
# The Information – Martin Amis
# The Moor’s Last Sigh – Salman Rushdie
# Sabbath’s Theater – Philip Roth
# The Rings of Saturn – W.G. Sebald
# The Reader – Bernhard Schlink
# A Fine Balance – Rohinton Mistry
# Love’s Work – Gillian Rose
# The End of the Story – Lydia Davis
# Mr. Vertigo – Paul Auster
# The Folding Star – Alan Hollinghurst
# Whatever – Michel Houellebecq
# Land – Park Kyong-ni
# The Master of Petersburg – J.M. Coetzee
# The Wind-Up Bird Chronicle – Haruki Murakami
# Pereira Declares: A Testimony – Antonio Tabucchi
# City Sister Silver – Jàchym Topol
# How Late It Was, How Late – James Kelman
# Captain Corelli’s Mandolin – Louis de Bernieres
# Felicia’s Journey – William Trevor
# Disappearance – David Dabydeen
# The Invention of Curried Sausage – Uwe Timm
# The Shipping News – E. Annie Proulx
# Trainspotting – Irvine Welsh
# Birdsong – Sebastian Faulks
# Looking for the Possible Dance – A.L. Kennedy
# Operation Shylock – Philip Roth
# Complicity – Iain Banks
# On Love – Alain de Botton
# What a Carve Up! – Jonathan Coe
# A Suitable Boy – Vikram Seth
# The Stone Diaries – Carol Shields
# The Virgin Suicides – Jeffrey Eugenides
# The House of Doctor Dee – Peter Ackroyd
# The Robber Bride – Margaret Atwood
# The Emigrants – W.G. Sebald
# The Secret History – Donna Tartt
# Life is a Caravanserai – Emine Özdamar
# The Discovery of Heaven – Harry Mulisch
# A Heart So White – Javier Marias
# Possessing the Secret of Joy – Alice Walker
# Indigo – Marina Warner
# The Crow Road – Iain Banks
# Written on the Body – Jeanette Winterson
# Jazz – Toni Morrison
# The English Patient – Michael Ondaatje
# Smilla’s Sense of Snow – Peter Høeg
# The Butcher Boy – Patrick McCabe
# Black Water – Joyce Carol Oates
# The Heather Blazing – Colm Tóibín
# Asphodel – H.D. (Hilda Doolittle)
# Black Dogs – Ian McEwan
# Hideous Kinky – Esther Freud
# Arcadia – Jim Crace
# Wild Swans – Jung Chang
# American Psycho – Bret Easton Ellis
# Time’s Arrow – Martin Amis
# Mao II – Don DeLillo
# Typical – Padgett Powell
# Regeneration – Pat Barker
# Downriver – Iain Sinclair
# Señor Vivo and the Coca Lord – Louis de Bernieres
# Wise Children – Angela Carter
# Get Shorty – Elmore Leonard
# Amongst Women – John McGahern
# Vineland – Thomas Pynchon
# Vertigo – W.G. Sebald
# Stone Junction – Jim Dodge
# The Music of Chance – Paul Auster
# The Things They Carried – Tim O’Brien
# A Home at the End of the World – Michael Cunningham
# Like Life – Lorrie Moore
# Possession – A.S. Byatt
# The Buddha of Suburbia – Hanif Kureishi
# The Midnight Examiner – William Kotzwinkle
# A Disaffection – James Kelman
# Sexing the Cherry – Jeanette Winterson
# Moon Palace – Paul Auster
# Billy Bathgate – E.L. Doctorow
# Remains of the Day – Kazuo Ishiguro
# The Melancholy of Resistance – László Krasznahorkai
# The Temple of My Familiar – Alice Walker
# The Trick is to Keep Breathing – Janice Galloway
# The History of the Siege of Lisbon – José Saramago
# Like Water for Chocolate – Laura Esquivel
# A Prayer for Owen Meany – John Irving
# London Fields – Martin Amis
# The Book of Evidence – John Banville
# Cat’s Eye – Margaret Atwood
# Foucault’s Pendulum – Umberto Eco
# The Beautiful Room is Empty – Edmund White
# Wittgenstein’s Mistress – David Markson
# The Satanic Verses – Salman Rushdie
# The Swimming-Pool Library – Alan Hollinghurst
# Oscar and Lucinda – Peter Carey
# Libra – Don DeLillo
# The Player of Games – Iain M. Banks
# Nervous Conditions – Tsitsi Dangarembga
# The Long Dark Teatime of the Soul – Douglas Adams
# Dirk Gently’s Holistic Detective Agency – Douglas Adams
# The Radiant Way – Margaret Drabble
# The Afternoon of a Writer – Peter Handke
# The Black Dahlia – James Ellroy
# The Passion – Jeanette Winterson
# The Pigeon – Patrick Süskind
# The Child in Time – Ian McEwan
# Cigarettes – Harry Mathews
# The Bonfire of the Vanities – Tom Wolfe
# The New York Trilogy – Paul Auster
# World’s End – T. Coraghessan Boyle
# Enigma of Arrival – V.S. Naipaul
# The Taebek Mountains – Jo Jung-rae
# Beloved – Toni Morrison
# Anagrams – Lorrie Moore
# Matigari – Ngugi Wa Thiong’o
# Marya – Joyce Carol Oates
# The Old Devils – Kingsley Amis
# Lost Language of Cranes – David Leavitt
# An Artist of the Floating World – Kazuo Ishiguro
# Extinction – Thomas Bernhard
# Foe – J.M. Coetzee
# The Drowned and the Saved – Primo Levi
# Reasons to Live – Amy Hempel
# The Parable of the Blind – Gert Hofmann
# Love in the Time of Cholera – Gabriel García Márquez
# Oranges Are Not the Only Fruit – Jeanette Winterson
# The Cider House Rules – John Irving
# A Maggot – John Fowles
# Less Than Zero – Bret Easton Ellis
# Contact – Carl Sagan
# The Handmaid’s Tale – Margaret Atwood
# Perfume – Patrick Süskind
# Old Masters – Thomas Bernhard
# White Noise – Don DeLillo
# Queer – William Burroughs
# Hawksmoor – Peter Ackroyd
# Legend – David Gemmell
# Dictionary of the Khazars – Milorad Pavi?
# The Bus Conductor Hines – James Kelman
# The Year of the Death of Ricardo Reis – José Saramago
# The Lover – Marguerite Duras
# Empire of the Sun – J.G. Ballard
# The Wasp Factory – Iain Banks
# Nights at the Circus – Angela Carter
# The Unbearable Lightness of Being – Milan Kundera
# Blood and Guts in High School – Kathy Acker
# Neuromancer – William Gibson
# Flaubert’s Parrot – Julian Barnes
# Money: A Suicide Note – Martin Amis
# Shame – Salman Rushdie
# Worstward Ho – Samuel Beckett
# Fools of Fortune – William Trevor
# La Brava – Elmore Leonard
# Waterland – Graham Swift
# The Life and Times of Michael K – J.M. Coetzee
# The Diary of Jane Somers – Doris Lessing
# The Piano Teacher – Elfriede Jelinek
# The Sorrow of Belgium – Hugo Claus
# If Not Now, When? – Primo Levi
# A Boy’s Own Story – Edmund White
# The Color Purple – Alice Walker
# Wittgenstein’s Nephew – Thomas Bernhard
# A Pale View of Hills – Kazuo Ishiguro
# Schindler’s Ark – Thomas Keneally
# The House of the Spirits – Isabel Allende
# The Newton Letter – John Banville
# On the Black Hill – Bruce Chatwin
# Concrete – Thomas Bernhard
# The Names – Don DeLillo
# Rabbit is Rich – John Updike
# Lanark: A Life in Four Books – Alasdair Gray
# The Comfort of Strangers – Ian McEwan
# July’s People – Nadine Gordimer
# Summer in Baden-Baden – Leonid Tsypkin
# Broken April – Ismail Kadare
# Waiting for the Barbarians – J.M. Coetzee
# Midnight’s Children – Salman Rushdie
# Rites of Passage – William Golding
# Rituals – Cees Nooteboom
# Confederacy of Dunces – John Kennedy Toole
# City Primeval – Elmore Leonard
# The Name of the Rose – Umberto Eco
# The Book of Laughter and Forgetting – Milan Kundera
# Smiley’s People – John Le Carré
# Shikasta – Doris Lessing
# A Bend in the River – V.S. Naipaul
# Burger’s Daughter - Nadine Gordimer
# The Safety Net – Heinrich Böll
# If On a Winter’s Night a Traveler – Italo Calvino
# The Hitchhiker’s Guide to the Galaxy – Douglas Adams
# The Cement Garden – Ian McEwan
# The World According to Garp – John Irving
# Life: A User’s Manual – Georges Perec
# The Sea, The Sea – Iris Murdoch
# The Singapore Grip – J.G. Farrell
# Yes – Thomas Bernhard
# The Virgin in the Garden – A.S. Byatt
# In the Heart of the Country – J.M. Coetzee
# The Passion of New Eve – Angela Carter
# Delta of Venus – Anaïs Nin
# The Shining – Stephen King
# Dispatches – Michael Herr
# Petals of Blood – Ngugi Wa Thiong’o
# Song of Solomon – Toni Morrison
# The Hour of the Star – Clarice Lispector
# The Left-Handed Woman – Peter Handke
# Ratner’s Star – Don DeLillo
# The Public Burning – Robert Coover
# Interview With the Vampire – Anne Rice
# Cutter and Bone – Newton Thornburg
# Amateurs – Donald Barthelme
# Patterns of Childhood – Christa Wolf
# Autumn of the Patriarch – Gabriel García Márquez
# W, or the Memory of Childhood – Georges Perec
# A Dance to the Music of Time – Anthony Powell
# Grimus – Salman Rushdie
# The Dead Father – Donald Barthelme
# Fateless – Imre Kertész
# Willard and His Bowling Trophies – Richard Brautigan
# High Rise – J.G. Ballard
# Humboldt’s Gift – Saul Bellow
# Dead Babies – Martin Amis
# Correction – Thomas Bernhard
# Ragtime – E.L. Doctorow
# The Fan Man – William Kotzwinkle
# Dusklands – J.M. Coetzee
# The Lost Honor of Katharina Blum – Heinrich Böll
# Tinker Tailor Soldier Spy – John Le Carré
# Breakfast of Champions – Kurt Vonnegut, Jr.
# Fear of Flying – Erica Jong
# A Question of Power – Bessie Head
# The Siege of Krishnapur – J.G. Farrell
# The Castle of Crossed Destinies – Italo Calvino
# Crash – J.G. Ballard
# The Honorary Consul – Graham Greene
# Gravity’s Rainbow – Thomas Pynchon
# The Black Prince – Iris Murdoch
# Sula – Toni Morrison
# Invisible Cities – Italo Calvino
# The Breast – Philip Roth
# The Summer Book – Tove Jansson
# G – John Berger
# Surfacing – Margaret Atwood
# House Mother Normal – B.S. Johnson
# In A Free State – V.S. Naipaul
# The Book of Daniel – E.L. Doctorow
# Fear and Loathing in Las Vegas – Hunter S. Thompson
# Group Portrait With Lady – Heinrich Böll
# The Wild Boys – William Burroughs
# Rabbit Redux – John Updike
# The Sea of Fertility – Yukio Mishima
# The Driver’s Seat – Muriel Spark
# The Ogre – Michael Tournier
# The Bluest Eye – Toni Morrison
# Goalie’s Anxiety at the Penalty Kick – Peter Handke
# I Know Why the Caged Bird Sings – Maya Angelou
# Mercier et Camier – Samuel Beckett
# Troubles – J.G. Farrell
# Jahrestage – Uwe Johnson
# The Atrocity Exhibition – J.G. Ballard
# Tent of Miracles – Jorge Amado
# Pricksongs and Descants – Robert Coover
# Blind Man With a Pistol – Chester Hines
# Slaughterhouse-five – Kurt Vonnegut, Jr.
# The French Lieutenant’s Woman – John Fowles
# The Green Man – Kingsley Amis
# Portnoy’s Complaint – Philip Roth
# The Godfather – Mario Puzo
# Ada – Vladimir Nabokov
# Them – Joyce Carol Oates
# A Void/Avoid – Georges Perec
# Eva Trout – Elizabeth Bowen
# Myra Breckinridge – Gore Vidal
# The Nice and the Good – Iris Murdoch
# Belle du Seigneur – Albert Cohen
# Cancer Ward – Aleksandr Isayevich Solzhenitsyn
# The First Circle – Aleksandr Isayevich Solzhenitsyn
# 2001: A Space Odyssey – Arthur C. Clarke
# Do Androids Dream of Electric Sheep? – Philip K. Dick
# Dark as the Grave Wherein My Friend is Laid – Malcolm Lowry
# The German Lesson – Siegfried Lenz
# In Watermelon Sugar – Richard Brautigan
# A Kestrel for a Knave – Barry Hines
# The Quest for Christa T. – Christa Wolf
# Chocky – John Wyndham
# The Electric Kool-Aid Acid Test – Tom Wolfe
# The Cubs and Other Stories – Mario Vargas Llosa
# One Hundred Years of Solitude - Gabriel García Márquez
# The Master and Margarita – Mikhail Bulgakov
# Pilgrimage – Dorothy Richardson
# The Joke – Milan Kundera
# No Laughing Matter – Angus Wilson
# The Third Policeman – Flann O’Brien
# A Man Asleep – Georges Perec
# The Birds Fall Down – Rebecca West
# Trawl – B.S. Johnson
# In Cold Blood – Truman Capote
# The Magus – John Fowles
# The Vice-Consul – Marguerite Duras
# Wide Sargasso Sea – Jean Rhys
# Giles Goat-Boy – John Barth
# The Crying of Lot 49 – Thomas Pynchon
# Things – Georges Perec
# The River Between – Ngugi wa Thiong’o
# August is a Wicked Month – Edna O’Brien
# God Bless You, Mr. Rosewater – Kurt Vonnegut
# Everything That Rises Must Converge – Flannery O’Connor
# The Passion According to G.H. – Clarice Lispector
# Sometimes a Great Notion – Ken Kesey
# Come Back, Dr. Caligari – Donald Bartholme
# Albert Angelo – B.S. Johnson
# Arrow of God – Chinua Achebe
# The Ravishing of Lol V. Stein – Marguerite Duras
# Herzog – Saul Bellow
# V. – Thomas Pynchon
# Cat’s Cradle – Kurt Vonnegut
# The Graduate – Charles Webb
# Manon des Sources – Marcel Pagnol
# The Spy Who Came in from the Cold – John Le Carré
# The Girls of Slender Means – Muriel Spark
# Inside Mr. Enderby – Anthony Burgess
# The Bell Jar – Sylvia Plath
# One Day in the Life of Ivan Denisovich – Aleksandr Isayevich Solzhenitsyn
# The Collector – John Fowles
# One Flew Over the Cuckoo’s Nest – Ken Kesey
# A Clockwork Orange – Anthony Burgess
# Pale Fire – Vladimir Nabokov
# The Drowned World – J.G. Ballard
# The Golden Notebook – Doris Lessing
# Labyrinths – Jorg Luis Borges
# Girl With Green Eyes – Edna O’Brien
# The Garden of the Finzi-Continis – Giorgio Bassani
# Stranger in a Strange Land – Robert Heinlein
# Franny and Zooey – J.D. Salinger
# A Severed Head – Iris Murdoch
# Faces in the Water – Janet Frame
# Solaris – Stanislaw Lem
# Cat and Mouse – Günter Grass
# The Prime of Miss Jean Brodie – Muriel Spark
# Catch-22 – Joseph Heller
# The Violent Bear it Away – Flannery O’Connor
# How It Is – Samuel Beckett
# Our Ancestors – Italo Calvino
# The Country Girls – Edna O’Brien
# To Kill a Mockingbird – Harper Lee
# Rabbit, Run – John Updike
# Promise at Dawn – Romain Gary
# Cider With Rosie – Laurie Lee
# Billy Liar – Keith Waterhouse
# Naked Lunch – William Burroughs (Thank God for Gen Eds)
# The Tin Drum – Günter Grass
# Absolute Beginners – Colin MacInnes
# Henderson the Rain King – Saul Bellow
# Memento Mori – Muriel Spark
# Billiards at Half-Past Nine – Heinrich Böll
# Breakfast at Tiffany’s – Truman Capote
# The Leopard – Giuseppe Tomasi di Lampedusa
# Pluck the Bud and Destroy the Offspring – Kenzaburo Oe
# A Town Like Alice – Nevil Shute
# The Bitter Glass – Eilís Dillon
# Things Fall Apart – Chinua Achebe
# Saturday Night and Sunday Morning – Alan Sillitoe
# Mrs. ‘Arris Goes to Paris – Paul Gallico
# Borstal Boy – Brendan Behan
# The End of the Road – John Barth
# The Once and Future King – T.H. White
# The Bell – Iris Murdoch
# Jealousy – Alain Robbe-Grillet
# Voss – Patrick White
# The Midwich Cuckoos – John Wyndham
# Blue Noon – Georges Bataille
# Homo Faber – Max Frisch
# On the Road – Jack Kerouac
# Pnin – Vladimir Nabokov
# Doctor Zhivago – Boris Pasternak
# The Wonderful “O” – James Thurber
# Justine – Lawrence Durrell
# Giovanni’s Room – James Baldwin
# The Lonely Londoners – Sam Selvon
# The Roots of Heaven – Romain Gary
# Seize the Day – Saul Bellow
# The Floating Opera – John Barth
# The Lord of the Rings – J.R.R. Tolkien
# The Talented Mr. Ripley – Patricia Highsmith
# Lolita – Vladimir Nabokov
# A World of Love – Elizabeth Bowen
# The Trusting and the Maimed – James Plunkett
# The Quiet American – Graham Greene
# The Last Temptation of Christ – Nikos Kazantzákis
# The Recognitions – William Gaddis
# The Ragazzi – Pier Paulo Pasolini
# Bonjour Tristesse – Françoise Sagan
# I’m Not Stiller – Max Frisch
# Self Condemned – Wyndham Lewis
# The Story of O – Pauline Réage
# A Ghost at Noon – Alberto Moravia
# Lord of the Flies – William Golding
# Under the Net – Iris Murdoch
# The Go-Between – L.P. Hartley
# The Long Goodbye – Raymond Chandler
# The Unnamable – Samuel Beckett
# Watt – Samuel Beckett
# Lucky Jim – Kingsley Amis
# Junkie – William Burroughs
# The Adventures of Augie March – Saul Bellow
# Go Tell It on the Mountain – James Baldwin (Gen Ed once again)
# Casino Royale – Ian Fleming
# The Judge and His Hangman – Friedrich Dürrenmatt
# Invisible Man – Ralph Ellison
# The Old Man and the Sea – Ernest Hemingway
# Wise Blood – Flannery O’Connor
# The Killer Inside Me – Jim Thompson
# Memoirs of Hadrian – Marguerite Yourcenar
# Malone Dies – Samuel Beckett
# Day of the Triffids – John Wyndham
# Foundation – Isaac Asimov
# The Opposing Shore – Julien Gracq
# The Catcher in the Rye – J.D. Salinger
# The Rebel – Albert Camus
# Molloy – Samuel Beckett
# The End of the Affair – Graham Greene
# The Abbot C – Georges Bataille
# The Labyrinth of Solitude – Octavio Paz
# The Third Man – Graham Greene
# The 13 Clocks – James Thurber
# Gormenghast – Mervyn Peake
# The Grass is Singing – Doris Lessing
# I, Robot – Isaac Asimov
# The Moon and the Bonfires – Cesare Pavese
# The Garden Where the Brass Band Played – Simon Vestdijk
# Love in a Cold Climate – Nancy Mitford
# The Case of Comrade Tulayev – Victor Serge
# The Heat of the Day – Elizabeth Bowen
# Kingdom of This World – Alejo Carpentier
# The Man With the Golden Arm – Nelson Algren
# Nineteen Eighty-Four – George Orwell
# All About H. Hatterr – G.V. Desani
# Disobedience – Alberto Moravia
# Death Sentence – Maurice Blanchot
# The Heart of the Matter – Graham Greene
# Cry, the Beloved Country – Alan Paton
# Doctor Faustus – Thomas Mann
# The Victim – Saul Bellow
# Exercises in Style – Raymond Queneau
# If This Is a Man – Primo Levi
# Under the Volcano – Malcolm Lowry
# The Path to the Nest of Spiders – Italo Calvino
# The Plague – Albert Camus
# Back – Henry Green
# Titus Groan – Mervyn Peake
# The Bridge on the Drina – Ivo Andri?
# Brideshead Revisited – Evelyn Waugh
# Animal Farm – George Orwell
# Cannery Row – John Steinbeck
# The Pursuit of Love – Nancy Mitford
# Loving – Henry Green
# Arcanum 17 – André Breton
# Christ Stopped at Eboli – Carlo Levi
# The Razor’s Edge – William Somerset Maugham
# Transit – Anna Seghers
# Ficciones – Jorge Luis Borges
# Dangling Man – Saul Bellow
# The Little Prince – Antoine de Saint-Exupéry
# Caught – Henry Green
# The Glass Bead Game – Herman Hesse
# Embers – Sandor Marai
# Go Down, Moses – William Faulkner
# The Outsider – Albert Camus
# In Sicily – Elio Vittorini
# The Poor Mouth – Flann O’Brien
# The Living and the Dead – Patrick White
# Hangover Square – Patrick Hamilton
# Between the Acts – Virginia Woolf
# The Hamlet – William Faulkner
# Farewell My Lovely – Raymond Chandler
# For Whom the Bell Tolls – Ernest Hemingway
# Native Son – Richard Wright
# The Power and the Glory – Graham Greene
# The Tartar Steppe – Dino Buzzati
# Party Going – Henry Green
# The Grapes of Wrath – John Steinbeck
# Finnegans Wake – James Joyce
# At Swim-Two-Birds – Flann O’Brien
# Coming Up for Air – George Orwell
# Goodbye to Berlin – Christopher Isherwood
# Tropic of Capricorn – Henry Miller
# Good Morning, Midnight – Jean Rhys
# The Big Sleep – Raymond Chandler
# After the Death of Don Juan – Sylvie Townsend Warner
# Miss Pettigrew Lives for a Day – Winifred Watson
# Nausea – Jean-Paul Sartre
# Rebecca – Daphne du Maurier
# Cause for Alarm – Eric Ambler
# Brighton Rock – Graham Greene
# U.S.A. – John Dos Passos
# Murphy – Samuel Beckett
# Of Mice and Men – John Steinbeck
# Their Eyes Were Watching God – Zora Neale Hurston
# The Hobbit – J.R.R. Tolkien
# The Years – Virginia Woolf
# In Parenthesis – David Jones
# The Revenge for Love – Wyndham Lewis
# Out of Africa – Isak Dineson (Karen Blixen)
# To Have and Have Not – Ernest Hemingway
# Summer Will Show – Sylvia Townsend Warner
# Eyeless in Gaza – Aldous Huxley
# The Thinking Reed – Rebecca West
# Gone With the Wind – Margaret Mitchell
# Keep the Aspidistra Flying – George Orwell
# Wild Harbour – Ian MacPherson
# Absalom, Absalom! – William Faulkner
# At the Mountains of Madness – H.P. Lovecraft
# Nightwood – Djuna Barnes
# Independent People – Halldór Laxness
# Auto-da-Fé – Elias Canetti
# The Last of Mr. Norris – Christopher Isherwood
# They Shoot Horses, Don’t They? – Horace McCoy
# The House in Paris – Elizabeth Bowen
# England Made Me – Graham Greene
# Burmese Days – George Orwell
# The Nine Tailors – Dorothy L. Sayers
# Threepenny Novel – Bertolt Brecht
# Novel With Cocaine – M. Ageyev
# The Postman Always Rings Twice – James M. Cain
# Tropic of Cancer – Henry Miller
# A Handful of Dust – Evelyn Waugh
# Tender is the Night – F. Scott Fitzgerald
# Thank You, Jeeves – P.G. Wodehouse
# Call it Sleep – Henry Roth
# Miss Lonelyhearts – Nathanael West
# Murder Must Advertise – Dorothy L. Sayers
# The Autobiography of Alice B. Toklas – Gertrude Stein
# Testament of Youth – Vera Brittain
# A Day Off – Storm Jameson
# The Man Without Qualities – Robert Musil
# A Scots Quair (Sunset Song) – Lewis Grassic Gibbon
# Journey to the End of the Night – Louis-Ferdinand Céline
# Brave New World – Aldous Huxley
# Cold Comfort Farm – Stella Gibbons
# To the North – Elizabeth Bowen
# The Thin Man – Dashiell Hammett
# The Radetzky March – Joseph Roth
# The Waves – Virginia Woolf
# The Glass Key – Dashiell Hammett
# Cakes and Ale – W. Somerset Maugham
# The Apes of God – Wyndham Lewis
# Her Privates We – Frederic Manning
# Vile Bodies – Evelyn Waugh
# The Maltese Falcon – Dashiell Hammett
# Hebdomeros – Giorgio de Chirico
# Passing – Nella Larsen
# A Farewell to Arms – Ernest Hemingway
# Red Harvest – Dashiell Hammett
# Living – Henry Green
# The Time of Indifference – Alberto Moravia
# All Quiet on the Western Front – Erich Maria Remarque
# Berlin Alexanderplatz – Alfred Döblin
# The Last September – Elizabeth Bowen
# Harriet Hume – Rebecca West
# The Sound and the Fury – William Faulkner
# Les Enfants Terribles – Jean Cocteau
# Look Homeward, Angel – Thomas Wolfe
# Story of the Eye – Georges Bataille
# Orlando – Virginia Woolf
# Lady Chatterley’s Lover – D.H. Lawrence
# The Well of Loneliness – Radclyffe Hall
# The Childermass – Wyndham Lewis
# Quartet – Jean Rhys
# Decline and Fall – Evelyn Waugh
# Quicksand – Nella Larsen
# Parade’s End – Ford Madox Ford
# Nadja – André Breton
# Steppenwolf – Herman Hesse
# Remembrance of Things Past – Marcel Proust
# To The Lighthouse – Virginia Woolf
# Tarka the Otter – Henry Williamson
# Amerika – Franz Kafka
# The Sun Also Rises – Ernest Hemingway
# Blindness – Henry Green
# The Castle – Franz Kafka
# The Good Soldier Švejk – Jaroslav Hašek
# The Plumed Serpent – D.H. Lawrence
# One, None and a Hundred Thousand – Luigi Pirandello
# The Murder of Roger Ackroyd – Agatha Christie
# The Making of Americans – Gertrude Stein
# Manhattan Transfer – John Dos Passos
# Mrs. Dalloway – Virginia Woolf
# The Great Gatsby – F. Scott Fitzgerald
# The Counterfeiters – André Gide
# The Trial – Franz Kafka
# The Artamonov Business – Maxim Gorky
# The Professor’s House – Willa Cather
# Billy Budd, Foretopman – Herman Melville
# The Green Hat – Michael Arlen
# The Magic Mountain – Thomas Mann
# We – Yevgeny Zamyatin
# A Passage to India – E.M. Forster
# The Devil in the Flesh – Raymond Radiguet
# Zeno’s Conscience – Italo Svevo
# Cane – Jean Toomer
# Antic Hay – Aldous Huxley
# Amok – Stefan Zweig
# The Garden Party – Katherine Mansfield
# The Enormous Room – E.E. Cummings
# Jacob’s Room – Virginia Woolf
# Siddhartha – Herman Hesse
# The Glimpses of the Moon – Edith Wharton
# Life and Death of Harriett Frean – May Sinclair
# The Last Days of Humanity – Karl Kraus
# Aaron’s Rod – D.H. Lawrence
# Babbitt – Sinclair Lewis
# Ulysses – James Joyce
# The Fox – D.H. Lawrence
# Crome Yellow – Aldous Huxley
# The Age of Innocence – Edith Wharton
# Main Street – Sinclair Lewis
# Women in Love – D.H. Lawrence
# Night and Day – Virginia Woolf
# Tarr – Wyndham Lewis
# The Return of the Soldier – Rebecca West
# The Shadow Line – Joseph Conrad
# Summer – Edith Wharton
# Growth of the Soil – Knut Hamsen
# Bunner Sisters – Edith Wharton
# A Portrait of the Artist as a Young Man – James Joyce
# Under Fire – Henri Barbusse
# Rashomon – Akutagawa Ryunosuke
# The Good Soldier – Ford Madox Ford
# The Voyage Out – Virginia Woolf
# Of Human Bondage – William Somerset Maugham
# The Rainbow – D.H. Lawrence
# The Thirty-Nine Steps – John Buchan
# Kokoro – Natsume Soseki
# Locus Solus – Raymond Roussel
# Rosshalde – Herman Hesse
# Tarzan of the Apes – Edgar Rice Burroughs
# The Ragged Trousered Philanthropists – Robert Tressell
# Sons and Lovers – D.H. Lawrence
# Death in Venice – Thomas Mann
# The Charwoman’s Daughter – James Stephens
# Ethan Frome – Edith Wharton
# Fantômas – Marcel Allain and Pierre Souvestre
# Howards End – E.M. Forster
# Impressions of Africa – Raymond Roussel
# Three Lives – Gertrude Stein
# Martin Eden – Jack London
# Strait is the Gate – André Gide
# Tono-Bungay – H.G. Wells
# The Inferno – Henri Barbusse
# A Room With a View – E.M. Forster
# The Iron Heel – Jack London
# The Old Wives’ Tale – Arnold Bennett
# The House on the Borderland – William Hope Hodgson
# Mother – Maxim Gorky
# The Secret Agent – Joseph Conrad
# The Jungle – Upton Sinclair
# Young Törless – Robert Musil
# The Forsyte Sage – John Galsworthy
# The House of Mirth – Edith Wharton
# Professor Unrat – Heinrich Mann
# Where Angels Fear to Tread – E.M. Forster
# Nostromo – Joseph Conrad
# Hadrian the Seventh – Frederick Rolfe
# The Golden Bowl – Henry James
# The Ambassadors – Henry James
# The Riddle of the Sands – Erskine Childers
# The Immoralist – André Gide
# The Wings of the Dove – Henry James
# Heart of Darkness – Joseph Conrad
# The Hound of the Baskervilles – Sir Arthur Conan Doyle
# Buddenbrooks – Thomas Mann
# Kim – Rudyard Kipling
# Sister Carrie – Theodore Dreiser
# Lord Jim – Joseph Conrad
#
# 1800s
# Some Experiences of an Irish R.M. – Somerville and Ross
# The Stechlin – Theodore Fontane
# The Awakening – Kate Chopin
# The Turn of the Screw – Henry James
# The War of the Worlds – H.G. Wells
# The Invisible Man – H.G. Wells
# What Maisie Knew – Henry James
# Fruits of the Earth – André Gide
# Dracula – Bram Stoker
# Quo Vadis – Henryk Sienkiewicz
# The Island of Dr. Moreau – H.G. Wells
# The Time Machine – H.G. Wells
# Effi Briest – Theodore Fontane
# Jude the Obscure – Thomas Hardy
# The Real Charlotte – Somerville and Ross
# The Yellow Wallpaper – Charlotte Perkins Gilman
# Born in Exile – George Gissing
# Diary of a Nobody – George & Weedon Grossmith
# The Adventures of Sherlock Holmes – Sir Arthur Conan Doyle
# News from Nowhere – William Morris
# New Grub Street – George Gissing
# Gösta Berling’s Saga – Selma Lagerlöf
# Tess of the D’Urbervilles – Thomas Hardy
# The Picture of Dorian Gray – Oscar Wilde
# The Kreutzer Sonata – Leo Tolstoy
# La Bête Humaine – Émile Zola
# By the Open Sea – August Strindberg
# Hunger – Knut Hamsun
# The Master of Ballantrae – Robert Louis Stevenson
# Pierre and Jean – Guy de Maupassant
# Fortunata and Jacinta – Benito Pérez Galdés
# The People of Hemsö – August Strindberg
# The Woodlanders – Thomas Hardy
# She – H. Rider Haggard
# The Strange Case of Dr. Jekyll and Mr. Hyde – Robert Louis Stevenson
# The Mayor of Casterbridge – Thomas Hardy
# Kidnapped – Robert Louis Stevenson
# King Solomon’s Mines – H. Rider Haggard
# Germinal – Émile Zola
# The Adventures of Huckleberry Finn – Mark Twain
# Bel-Ami – Guy de Maupassant
# Marius the Epicurean – Walter Pater
# Against the Grain – Joris-Karl Huysmans
# The Death of Ivan Ilyich – Leo Tolstoy
# A Woman’s Life – Guy de Maupassant
# Treasure Island – Robert Louis Stevenson
# The House by the Medlar Tree – Giovanni Verga
# The Portrait of a Lady – Henry James
# Bouvard and Pécuchet – Gustave Flaubert
# Ben-Hur – Lew Wallace
# Nana – Émile Zola
# The Brothers Karamazov – Fyodor Dostoevsky
# The Red Room – August Strindberg
# Return of the Native – Thomas Hardy
# Anna Karenina – Leo Tolstoy
# Drunkard – Émile Zola
# Virgin Soil – Ivan Turgenev
# Daniel Deronda – George Eliot
# The Hand of Ethelberta – Thomas Hardy
# The Temptation of Saint Anthony – Gustave Flaubert
# Far from the Madding Crowd – Thomas Hardy
# The Enchanted Wanderer – Nicolai Leskov
# Around the World in Eighty Days – Jules Verne
# In a Glass Darkly – Sheridan Le Fanu
# The Devils – Fyodor Dostoevsky
# Erewhon – Samuel Butler
# Spring Torrents – Ivan Turgenev
# Middlemarch – George Eliot
# Through the Looking Glass, and What Alice Found There – Lewis Carroll
# King Lear of the Steppes – Ivan Turgenev
# He Knew He Was Right – Anthony Trollope
# War and Peace – Leo Tolstoy
# Sentimental Education – Gustave Flaubert
# Phineas Finn – Anthony Trollope
# Maldoror – Comte de Lautréaumont
# The Idiot – Fyodor Dostoevsky
# The Moonstone – Wilkie Collins
# Little Women – Louisa May Alcott
# Thérèse Raquin – Émile Zola
# The Last Chronicle of Barset – Anthony Trollope
# Journey to the Centre of the Earth – Jules Verne
# Crime and Punishment – Fyodor Dostoevsky
# Alice’s Adventures in Wonderland – Lewis Carroll
# Our Mutual Friend – Charles Dickens
# Uncle Silas – Sheridan Le Fanu
# Notes from the Underground – Fyodor Dostoevsky
# The Water-Babies – Charles Kingsley
# Les Misérables – Victor Hugo
# Fathers and Sons – Ivan Turgenev
# Silas Marner – George Eliot
# Great Expectations – Charles Dickens
# On the Eve – Ivan Turgenev
# Castle Richmond – Anthony Trollope
# The Mill on the Floss – George Eliot
# The Woman in White – Wilkie Collins
# The Marble Faun – Nathaniel Hawthorne
# Max Havelaar – Multatuli
# A Tale of Two Cities – Charles Dickens
# Oblomovka – Ivan Goncharov
# Adam Bede – George Eliot
# Madame Bovary – Gustave Flaubert
# North and South – Elizabeth Gaskell
# Hard Times – Charles Dickens
# Walden – Henry David Thoreau
# Bleak House – Charles Dickens
# Villette – Charlotte Brontë
# Cranford – Elizabeth Gaskell
# Uncle Tom’s Cabin; or, Life Among the Lonely – Harriet Beecher Stowe
# The Blithedale Romance – Nathaniel Hawthorne
# The House of the Seven Gables – Nathaniel Hawthorne
# Moby-Dick – Herman Melville
# The Scarlet Letter – Nathaniel Hawthorne
# David Copperfield – Charles Dickens
# Shirley – Charlotte Brontë
# Mary Barton – Elizabeth Gaskell
# The Tenant of Wildfell Hall – Anne Brontë
# Wuthering Heights – Emily Brontë
# Agnes Grey – Anne Brontë
# Jane Eyre – Charlotte Brontë
# Vanity Fair – William Makepeace Thackeray
# The Count of Monte-Cristo – Alexandre Dumas
# La Reine Margot – Alexandre Dumas
# The Three Musketeers – Alexandre Dumas
# The Purloined Letter – Edgar Allan Poe
# Martin Chuzzlewit – Charles Dickens
# The Pit and the Pendulum – Edgar Allan Poe
# Lost Illusions – Honoré de Balzac
# A Christmas Carol – Charles Dickens
# Dead Souls – Nikolay Gogol
# The Charterhouse of Parma – Stendhal
# The Fall of the House of Usher – Edgar Allan Poe
# The Life and Adventures of Nicholas Nickleby – Charles Dickens
# Oliver Twist – Charles Dickens
# The Nose – Nikolay Gogol
# Le Père Goriot – Honoré de Balzac
# Eugénie Grandet – Honoré de Balzac
# The Hunchback of Notre Dame – Victor Hugo
# The Red and the Black – Stendhal
# The Betrothed – Alessandro Manzoni
# Last of the Mohicans – James Fenimore Cooper
# The Private Memoirs and Confessions of a Justified Sinner – James Hogg
# The Albigenses – Charles Robert Maturin
# Melmoth the Wanderer – Charles Robert Maturin
# The Monastery – Sir Walter Scott
# Ivanhoe – Sir Walter Scott
# Frankenstein – Mary Wollstonecraft Shelley
# Northanger Abbey – Jane Austen
# Persuasion – Jane Austen
# Ormond – Maria Edgeworth
# Rob Roy – Sir Walter Scott
# Emma – Jane Austen
# Mansfield Park – Jane Austen
# Pride and Prejudice – Jane Austen
# The Absentee – Maria Edgeworth
# Sense and Sensibility – Jane Austen
# Elective Affinities – Johann Wolfgang von Goethe
# Castle Rackrent – Maria Edgeworth
#
# 1700s
# Hyperion – Friedrich Hölderlin
# The Nun – Denis Diderot
# Camilla – Fanny Burney
# The Monk – M.G. Lewis
# Wilhelm Meister’s Apprenticeship – Johann Wolfgang von Goethe
# The Mysteries of Udolpho – Ann Radcliffe
# The Interesting Narrative – Olaudah Equiano
# The Adventures of Caleb Williams – William Godwin
# Justine – Marquis de Sade
# Vathek – William Beckford
# The 120 Days of Sodom – Marquis de Sade
# Cecilia – Fanny Burney
# Confessions – Jean-Jacques Rousseau
# Dangerous Liaisons – Pierre Choderlos de Laclos
# Reveries of a Solitary Walker – Jean-Jacques Rousseau
# Evelina – Fanny Burney
# The Sorrows of Young Werther – Johann Wolfgang von Goethe
# Humphrey Clinker – Tobias George Smollett
# The Man of Feeling – Henry Mackenzie
# A Sentimental Journey – Laurence Sterne
# Tristram Shandy – Laurence Sterne
# The Vicar of Wakefield – Oliver Goldsmith
# The Castle of Otranto – Horace Walpole
# Émile; or, On Education – Jean-Jacques Rousseau
# Rameau’s Nephew – Denis Diderot
# Julie; or, the New Eloise – Jean-Jacques Rousseau
# Rasselas – Samuel Johnson
# Candide – Voltaire
# The Female Quixote – Charlotte Lennox
# Amelia – Henry Fielding
# Peregrine Pickle – Tobias George Smollett
# Fanny Hill – John Cleland
# Tom Jones – Henry Fielding
# Roderick Random – Tobias George Smollett
# Clarissa – Samuel Richardson
# Pamela – Samuel Richardson
# Jacques the Fatalist – Denis Diderot
# Memoirs of Martinus Scriblerus – J. Arbuthnot, J. Gay, T. Parnell, A. Pope, J. Swift
# Joseph Andrews – Henry Fielding
# A Modest Proposal – Jonathan Swift
# Gulliver’s Travels – Jonathan Swift
# Roxana – Daniel Defoe
# Moll Flanders – Daniel Defoe
# Love in Excess – Eliza Haywood
# Robinson Crusoe – Daniel Defoe
# A Tale of a Tub – Jonathan Swift
#
# Pre-1700
# Oroonoko – Aphra Behn
# The Princess of Clèves – Marie-Madelaine Pioche de Lavergne, Comtesse de La Fayette
# The Pilgrim’s Progress – John Bunyan
# Don Quixote – Miguel de Cervantes Saavedra
# The Unfortunate Traveller – Thomas Nashe
# Euphues: The Anatomy of Wit – John Lyly
# Gargantua and Pantagruel – Françoise Rabelais
# The Thousand and One Nights – Anonymous
# The Golden Ass – Lucius Apuleius
# Aithiopika – Heliodorus
# Chaireas and Kallirhoe – Chariton
# Metamorphoses – Ovid
# Aesop’s Fables – Aesopus

Author: "--"
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Date: Friday, 20 Oct 2006 06:58
1.<欧洲文明的进程>,陈乐民,周弘著.
  我就是为了完成任务把它迅速地翻完了.
  我觉得自己这样对待它非常地恰当.
  这就是评价.
2.JOYCE CAROL OATES:I LOCK THE DOOR ON MYSELF
     98页,要10.99欧还是多少钱来的.
     把它下午从图书馆拖出来,然后上完课就看完了.
     真无聊啊真无聊.
     为什么这种悲哀的自毁的爱情,加上倔强野性的红发白肤的美人的故事就是没有打动我呢.明明作者的语言也不是一点修为都没有的样子,可是不知为何这本书就是散发出一种干巴枯燥感啊.按说这种描写自然人被各种恶心地往社会人糟改的过程的小说应该深得我心才对啊.
     作者大人很喜欢描写人体散发出来的各种异味,对powerful stink情有独衷.
     还有女主角不管和谁做爱都是worldlessly.
     我突然间想到了安妮宝贝.莫非这就是我不喜欢这本书的原因?
 
 
 
Author: "--"
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Date: Friday, 20 Oct 2006 00:51
A student pointed me to a recent Joyce Carol Oates story in The New Yorker, called "Landfill," which is available for free online. It's about a young college student named Hector Campos, Jr., who is a pledge at a fraternity at a university in Michigan. One night he disappears mysteriously after drinking heavily at the frat house. Some blood is found at the trash dumpster outside the frat-house;
Author: "--"
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Date: Thursday, 19 Oct 2006 21:26
Found one on january 14th, he Use points to save on future orders What do you think the novel as a convention, creativity and destruction, chaos and order whole conveys about the relationship between genius and Poe, complete tales poems mary shelley, frankenstein morris, scents of time perfume from ancient egypt to the 21st century joyce carol oates, zombie edgar allan
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Date: Thursday, 19 Oct 2006 21:26
Helpful characters, setting, plot, language, writingits all here , january 28, 2003 reviewer l 23 of 24 people found the following review That knew no lack of gifted and abominable personages of the most gifted and abominable personages in an era in eighteenthcentury france there lived a man who was one Other offers hardcover 1995 1995 order it used edition hardcover other editions list price our price The 21st century joyce carol oates, zombie edgar allan morris, scents of time perfume from ancient egypt to poe, complete tales poems mary shelley, frankenstein Perfume made from what is
Author: "--"
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Date: Thursday, 19 Oct 2006 21:26
Because suskind has done his homework and is smoothly at ease the execution is powerful, not only in grenouilles characterization, but also with 18th century mores and the science of perfume Ingredients, said harry hugar, a perfumer at the french connection in bloomington body chemistry makes as much difference in the fragrance as the original You cant see your favourite fragrance contact them if Based on 7 reviews average customer review The 21st century joyce carol oates, zombie edgar allan poe, complete tales poems mary shelley, frankenstein morris, scents of time perfume from ancient egypt to
Author: "--"
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Date: Thursday, 19 Oct 2006 21:26
Perfume oil eau de toilette contains about 48 Morris, scents of time perfume from ancient egypt to poe, complete tales poems mary shelley, frankenstein the 21st century joyce carol oates, zombie edgar allan In grasse france page lavender field to top of
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Date: Thursday, 19 Oct 2006 08:43
As I arrived home yesterday, having lugged my 'my God what have you got in there anyway?' bags on and off airport trolleys, on and off trains (the German authorities have got us so well trained that we're all terrified we'll be left behind, or at least a certain essential part of us will, as the doors slide shut with scheduled haste), both my nearly grown-up and altogether grown-up children fell on my bulging cases with whoops of delight, expecting a treasure trove of American goodies. And then came the shock.

Books? You've gone halfway round the world to all those great shopping malls, and only brought back books?

Now everyone in my family tends to exaggerate. I really did tuck in a few pairs of American knickers for my 15-year-old daughter (Abby, I hope you're reading this, it's my revenge for the complaints of 'what? no Ipod?'), several sacks of Halloween treats, even a spanking new (and very cheap) retractable doglead for Gypsy. But yes indeed, there were mainly books.

For someone who is so avid about promoting open culture and auctorial independence via the web, it's amazing the amount of time and frightening the amount of money I can spend on physical books. I did say from the outset of this blog that I'm likely to prove inconsistent here, and so I have. I simply cannot resist the lure of the word in any form. And since on my very first afternoon I dragged my mum to the local library, where as it turned out they happened to be holding their annual book sale, I was able for as little as a dollar or two apiece to snap up such treats as Toni Morrison's Paradise and Joyce Carol Oates' We Were the Mulvaneys, T.C. Boyles' Drop City and, wonder of wonders, hardback copies of some of my favourite Richard Powers novels to replace my well-worn paperbacks. And plenty more, though I womanfully resisted the temptation of four volumes from the luscious Barnes and Noble reproduction series of the Dickens Nonesuch, at what must be several kilos per book. (This morning, of course, I wish I had squeezed them in too!)

Now if only they sold the extra hours for all this reading along with the books ... How do those bloggers do it, the ones that read several novels per week? They must employ a benign magic, even more effective than the sort I used to transform a ton of printed and bound paper into less than my allotted baggage allowance. Make no mistake, a writer is a genuine magician, the kind that Harry Potter can only dream about.
Author: "--"
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Date: Wednesday, 18 Oct 2006 21:31
And crafting your personal perfumes, splashes colognes discovering fragrances nancy booth Calkin fabulous fragrances how to select your perfume wardrobethe womens guide to prestige perfumes by jan moran fragrances of the world 2004parfums du monde by michael edwards perfume the ultimate guide to the worlds finest fragrances by n Added level of understanding the accompanying photos are lovely and give the reader an Poe, complete tales poems mary shelley, frankenstein the 21st century joyce carol oates, zombie edgar allan morris, scents of time perfume from ancient egypt to 5 for in 1921 coco chanel
Author: "--"
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Date: Wednesday, 18 Oct 2006 21:31
And crafting your personal perfumes, splashes colognes discovering fragrances nancy booth Calkin fabulous fragrances how to select your perfume wardrobethe womens guide to prestige perfumes by jan moran fragrances of the world 2004parfums du monde by michael edwards perfume the ultimate guide to the worlds finest fragrances by n Added level of understanding the accompanying photos are lovely and give the reader an Poe, complete tales poems mary shelley, frankenstein the 21st century joyce carol oates, zombie edgar allan morris, scents of time perfume from ancient egypt to 5 for in 1921 coco chanel
Author: "--"
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Date: Wednesday, 18 Oct 2006 18:10

Every week, the New Yorker publishes a high-profile piece of short fiction, and I would like to say I read them all.  I don’t.  Not yet.  But I am always curious about the stories that get published.  So what follows here is my first attempt to look critically at one of the stories published in the last few weeks.

New Yorker fiction: Joyce Carol Oates’s “Landfill”

I could put aside the ripped-from-the-headlines aspect of this story except that it is told (at least the first half or so) in a reportage style.  We have facts, laid upon fact, laid upon speculation.  We are given no scenes and no real dialogue until late in the story.  At the halfway point I was still waiting for the story to start.

Oates is a very talented writer and I have no reason to think that she slapped this one together and the New Yorker printed it on her name alone (although we could spend much more time on how the New Yorker does choose its stories).  We get some impressions from the dead son, more memorable ones from his college roommates, but the story really belongs to his mother, Mrs. Campos.  During the three weeks before they find her son’s body, she is doing her best to hold onto hope, despite the look on her husband’s face and despite the fact that she knows better.  The story begins to move here and we understand her struggle, though Oates dues burden the reader with the all the hopes and fears she had for her son.

What makes the story work, really click, and sustain in memory is the image, the desire and hope in the last paragraph:

Unconsciously caressing her left breast, holding her left breast in her right hand—how like a sac of warm water it is, or warm milk—and, on the brink of a dream of surpassing beauty and tenderness, Mrs. Campos shuts her eyes. Why does Mr. Campos never caress her breasts anymore? Why does Mr. Campos never suck her nipples anymore? Mrs. Campos runs her thumb over the large soft nipple, stirring it to hardness, like a little berry. She is driving back from the city, driving back from ugly Detroit to Whispering Woods Estates, such joy, such pride, turning into the brick-gated subdivision off Southfield Road, making her way floating along Pheasant Pass, Larkspur Drive, Bluebell Lane, and, at last, to Quail Circle, where, in the gleaming-white Colonial at No. 23, the Campos family lives.

Her loss makes her aware of her own desire, her need for love.  Then Oates follows up, with contrast, by “floating” back into the fact-laden reporting.

I have much too much respect for Oates to be let down by a story, to say that it’s not a very good story, but I didn’t really appreciate it as much as I would have liked.  Leave it to that ending though to explain why I am still thinking about it.

- satoriworks
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Author: "--"
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Date: Wednesday, 18 Oct 2006 18:10

Every week, the New Yorker publishes a high-profile piece of short fiction, and I would like to say I read them all.  I don’t.  Not yet.  But I am always curious about the stories that get published.  So what follows here is my first attempt to look critically at one of the stories published in the last few weeks.

New Yorker fiction: Joyce Carol Oates’s “Landfill”

I could put aside the ripped-from-the-headlines aspect of this story except that it is told (at least the first half or so) in a reportage style.  We have facts, laid upon fact, laid upon speculation.  We are given no scenes and no real dialogue until late in the story.  At the halfway point I was still waiting for the story to start.

Oates is a very talented writer and I have no reason to think that she slapped this one together and the New Yorker printed it on her name alone (although we could spend much more time on how the New Yorker does choose its stories).  We get some impressions from the dead son, more memorable ones from his college roommates, but the story really belongs to his mother, Mrs. Campos.  During the three weeks before they find her son’s body, she is doing her best to hold onto hope, despite the look on her husband’s face and despite the fact that she knows better.  The story begins to move here and we understand her struggle, though Oates dues burden the reader with the all the hopes and fears she had for her son.

What makes the story work, really click, and sustain in memory is the image, the desire and hope in the last paragraph:

Unconsciously caressing her left breast, holding her left breast in her right hand—how like a sac of warm water it is, or warm milk—and, on the brink of a dream of surpassing beauty and tenderness, Mrs. Campos shuts her eyes. Why does Mr. Campos never caress her breasts anymore? Why does Mr. Campos never suck her nipples anymore? Mrs. Campos runs her thumb over the large soft nipple, stirring it to hardness, like a little berry. She is driving back from the city, driving back from ugly Detroit to Whispering Woods Estates, such joy, such pride, turning into the brick-gated subdivision off Southfield Road, making her way floating along Pheasant Pass, Larkspur Drive, Bluebell Lane, and, at last, to Quail Circle, where, in the gleaming-white Colonial at No. 23, the Campos family lives.

Her loss makes her aware of her own desire, her need for love.  Then Oates follows up, with contrast, by “floating” back into the fact-laden reporting.

I have much too much respect for Oates to be let down by a story, to say that it’s not a very good story, but I didn’t really appreciate it as much as I would have liked.  Leave it to that ending though to explain why I am still thinking about it.

- satoriworks
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Author: "--"
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Date: Wednesday, 18 Oct 2006 04:25
Who's Apologizing Now?

Joyce Carol Oates, yet another author with yet another "explanation".. Jeez Louise, enough already. First it was James Frey and a Million Little Lies, er, Pieces and now JCO.

DP: "Creative writing professor and noted author Joyce Carol Oates publicly apologized Tuesday to those upset by her recent New Yorker short story, "Landfill," a work of fiction that set off a small storm of controversy this week for its resemblance to fact.

"I'm certainly feeling very apologetic and deeply sorry that I inadvertently ... hurt the feelings of these people and just feel sorry about that," Oates said in an interview with The Times of Trenton.

"Landfill," which was published in the Oct. 9 issue of The New Yorker, tells the story of Michigan State University student Hector Campos, Jr., who goes missing for weeks before his remains are found in a Michigan landfill."
Author: "--"
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Date: Wednesday, 18 Oct 2006 04:25
Who's Apologizing Now?

Joyce Carol Oates, yet another author with yet another "explanation".. Jeez Louise, enough already. First it was James Frey and a Million Little Lies, er, Pieces and now JCO.

DP: "Creative writing professor and noted author Joyce Carol Oates publicly apologized Tuesday to those upset by her recent New Yorker short story, "Landfill," a work of fiction that set off a small storm of controversy this week for its resemblance to fact.

"I'm certainly feeling very apologetic and deeply sorry that I inadvertently ... hurt the feelings of these people and just feel sorry about that," Oates said in an interview with The Times of Trenton.

"Landfill," which was published in the Oct. 9 issue of The New Yorker, tells the story of Michigan State University student Hector Campos, Jr., who goes missing for weeks before his remains are found in a Michigan landfill."
Author: "--"
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